Perfect Ballet Port de Bras
What is the most common correction that you get in ballet class? Chances are, it has something to do with your arms. Rather than just telling you “shoulders down” or “elbows up,” today I am going to show you the single most important exercise that you should be doing outside of the classroom. If you never want to hear your ballet teacher scream at you in front of the class about your arms ever again, please read on!
Addressing the real problem – Like I talk about in my other blog posts, strength is the limiting factor (in our extensions and our pirouettes). Sure, we can stand around in ballet class all day long with our arms out in second position but this tends to lead to two things; 1.) Tired, droopy elbows which leads to 2.) Incorrect muscle memory. Over time, after repeatedly holding the arms incorrectly day after day and hour after hour, our bodies (and our minds) get trained to do the wrong thing – to hold the wrong position. The best way to address this situation is outside of the studio.
Dancers often lack upper body strength. We spend so much of our time focusing on what the legs and feet are doing that we neglect the upper body. (Core is another neglected component but we’ll get into that at another time.) The dancers that I work with at my studio and online work diligently to balance their upper body strength with the rest of their ballet skills. Some workouts are even entirely for the upper body. Why, you might ask? Because our upper body is responsible for a lot that goes on in our dancing. A turn cannot successfully be completed with droopy elbows, for example, and your jumps clearly will not get far off the ground if you are tensing your shoulders and neck midair.
So what exercises should you be doing? I am going to show you one of the single most important upper body exercises that dancers should be doing outside of the ballet classroom.
The Pec Fly – The Pec Fly (often referred to as the dumbbell fly) is an exercise that emulates a ballet port de bras that goes from first to second position.
The pec fly targets the pectoralis major and minor muscles, the serratus muscles in the rib cage, in addition to the deltoids to help stabilize the movement. What does this mean in dancer terms? It means that it directly targets the muscles that you use to keep those elbows lifted and shoulders down when holding your arms in first position. This means great things for your dancing like stronger turning positions, free moving jumps, and effortless port de bras.
Directions: Start lying on the floor, knees bent, feet on the floor as pictured, holding 2 weights (3-5 lbs to start) in a rounded ballet second position. Keeping the arms rounded, slowly bring the arms in to a first position, touching the weights together. Repeat this for 15 repetitions, rest and do this again for a total of three sets. As always, make sure you warm-up prior to beginning any ballet or fitness routine.
Below is a video of the pec fly exercise as well:
Upper body is something that I have incorporated into all of my Ballet Strength online programs and DVD’s as it is a vital component to your progress as a dancer. I go over multiple exercises that will improve your port de bras, just like the pec fly exercise above. Give this a try and I can’t wait to hear how this exercise helps you improve as a dancer!
Posted on June 5, 2014, in Ballet, Ballet News, Ballet Strength, Dance, fitness, Injury Prevention, Strength Training for Dancers, Technique Tips and tagged arm strength for dancers, ballet, ballet arms, ballet arms workout, ballet body, ballet conditioning, ballet cross training, ballet dancer, ballet preparation, ballet strength, ballet strength exercises, ballet tips, cross training for dancers, dancers arms, pec fly, port de bras, Strength Training for Dancers. Bookmark the permalink. Leave a comment.