Blog Archives

Ballet Strength Exercises for Arms and Partnering

Today we are going to talk about the shoulders and how a little bit of Ballet Strength training for the shoulders can help improve your port de bras, enhancing your partnering skills. Your port de bras is not only an important part of your daily ballet class and performance – it effects your partnering skills too! If you have weak arms you will have trouble executing simple partnering skills like finger turns, promenades, and arabesques.

The exercise we are going to do today is called the overhead press. The overhead press primarily works the entire shoulder and front deltoid muscles with the triceps as the secondary muscle used. The idea is to strengthen the shoulders in the overhead position which will in turn help tremendously with finger turns. Give this exercise a try with light weight such as 3-5 pounds weights to start. Start with 10-15 repetitions performed three times.

Ballet Strength Overhead Press

Add this exercise to your ballet cross training routine and notice a difference on your placement in class and your strength/balance in partnering class! As always, be sure to check out my Ballet Strength training programs for more detailed exercises.

Nutcracker Ballet Partnerning Advice

Question: Hi Nikol! Love your facebook page and hoping to purchase your ebooks soon. I had a question regarding some acting difficulties in Nutcracker. I am Clara and my directors really want a strong “connection” between her and the nephew/nutcracker prince. There are times where I have to really look at him with “affection” and mean it! Its hard! Do you have any advice for connecting with your partner? Thanks! ~ Colleen

Partnering isn't one sided. It takes two!

Answer: Hello Colleen. First off, I would like to say congratulations to you on landing the part of Clara in The Nutcracker. As a young dancer, performing the role of Clara was one of those times that I remember the most vividly and had the most fun dancing on stage. Now we all know the story of The Nutcracker, but I want you to find the book (if you don’t already have it) and really read the story. While you are reading the story, I want you to take careful note of the emotions that Clara is feeling. She is delighted by the gift that Drosselmeyer gives her, overwhelmed at this magical land that she didn’t know existed, enchanted by the prince who so bravely battled the Mouse King, etc. Write down a list of these different emotions. Now, think of the different instances in the ballet where you have to convey these emotions through choreography.

If you can immerse yourself completely in the role of Clara and focus on the story you are trying to convey, you shouldn’t have any awkward moments with the Prince. What I used to do is imagine the Prince to be a boy that I had a crush on. I know it sounds silly, but it works. So whether it’s Justin Bieber or Taylor Lautner, pretend like the “Prince” standing in front of you is him and feel what an honor it is to be led through the Kingdom of the Sweets by such a “superstar.” (Just don’t tell the prince that you are doing this! lol)

The other thing that can make you feel more comfortable around your partner is getting to know him a little better. If you two can become friends and have an awesome open communication that will also transfer well on stage.

Most of all, don’t be shy. Just as you should feel honored to be dancing with the Nutcracker Prince, you should feel even more honored to have been chosen to dance the role of Clara! Cherish the next two months in your “reign” as Clara and most importantly, have fun! Oh, and don’t forget to email me (nikol@balletaudition.com) to let me know how it goes!

Committed to Your Dancing,

Nikol Klein
www.balletaudition.com
www.balletstrength.com