We are excited to announce that with the launch of the new balletstrength.com, our Ballet Skills blog has moved! Now you can get all of our helpful free blog tips as well as our products that offer solutions to the most common ballet problems in one place!
Don’t worry, we’ll still check back with you here periodically but our most recent and up to date blog posts and products will be posted to our new blog at http://www.balletstrength.com. Thanks again for all of your support and I look forward to hearing your feedback on the new blog!
There is nothing worse than waking up in the morning with a sore throat and a full day of rehearsals ahead of you. No matter how healthy you are it is inevitable that the flu or a cold will hit you at some point during peak season. I get asked a lot by my dancer clients whether they should continue classes and rehearsals while sick. The answer truly depends on just how sick you are. Is it a cold? Allergies? The flu? Are you contagious?
In general, if you are sick you stay home and rest but with dancers it can be a really tough decision to make. If we miss a day of rehearsals, for example, our understudy will get a chance to do our part or we may lose our spot altogether. So what do you do? Be sure to talk to your studio or company director directly on the phone (so they can hear just how sick you are) and take care of YOU. Staying home may make you feel lazy, but it is an essential part of your recovery – and the faster you recover, the sooner you will be back to dancing.
The general rule is that if the symptoms are above the neck it is usually okay to exercise but at a lower intensity than you are used to. As dancers, we don’t really get the luxury of determining the pace of class and rehearsals, so If you absolutely must go through with it, alert your teacher or director that you will be taking it easy. Dancing while you are ill could also lead to injury so be cautious. The key is to listen to your body – it is definitely not a good idea to push yourself beyond your limits when you are under the weather so take it easy.
You wouldn’t want the rest of the dancers at your studio to get sick either, so be sure to wash your hands and wipe off your barre spot with disinfecting wipes. Get lots of rest when you can and be sure to drink lots of liquids whether you are at the studio or at home.
When you should definitely NOT dance while you are sick:
• When you are vomiting
• You have a fever
• Coughing or chest congestion
• Widespread body and muscle aches
When it is okay to dance with a lower intensity:
• Sore throat
• Nasal congestion
• Runny nose
My hope is that you stay healthy this Fall and Winter and continue to thrive as a dancer. Be sure to stay up on your nutrition and rest to avoid getting sick!
If you had a chance to watch any of the World Dance Day video, you saw that in addition to showing live ballet classes and rehearsals, they also showed what the dancers do to stay in shape outside of the studio. At Ballet Strength, we love that they chose to reveal dancers behind the scenes in the gym strength training. My favorite clip they showed was of National Ballet of Canada dancer, Chelsy Meiss. Pictured below is Chelsy performing an exercise called the “deadlift” from the World Dance Day broadcast. Today I am going to share with you how to do this exercise correctly so that you can maximize your Ballet Strength just like Chelsy!
Dancer Chelsy Meiss performing deadlifts
At Ballet Strength all of our programs and DVD workouts incorporate Romanian deadlifts. Romanian deadlifts are a great way to strengthen your hamstrings and spinal erectors, the long muscles that run up and down the sides of your lower back. Our goal in using this exercise during cross training is to strengthen the core and glute/ham tie in to help take the brunt of the stress from dancing off of the ankles – helping to stay injury free. Strength and power in the upper legs will also help with jumps, balance, and turns.
How to do it: A.) Start with the feet hip width apart, holding a light bar or two dumbbells. Knees should be slightly bent with the weight in the heels. B.) Bend forward from the torso, sliding the bar or weights to mid-shin (do not go all the way to the floor!). Be careful that you do not bend the knees additionally and keep the weight in the heels. Do not round the back. C.) It is a good idea to even lift the toes off the ground to ensure that you form is proper with the weight in the heels. Perform 3 sets of 12 repetitions.
Any good ballet cross training program will include deadlifts such as our Sensationally Strong Jumps Program or the Power Pirouettes DVD. The dancers whom I work with in companies such as San Francisco Ballet, American Ballet Theatre, and Boston Ballet all do this exercise too! Give it a try and take your Ballet Strength to a new level.
As dancers we need a strong core to hold our developés, nail those triple pirouettes, and leap across the stage with ease. The plank is one of the most popular core exercises and is no exception in the dance community. At a certain point the plank can get easy, (unless of course you are holding it for minutes at a time) so why not target the core muscles in a more challenging way – by taking the plank to the next level!
There are two variations of the plank that we are going to try today. Both exercises will utilize a stability ball. As always, use your best judgement with the approval of a physician before performing any type of strength training activity.
The first exercise (shown below) is a great “next step” for those of you getting bored with the usual plank. Rest the feet and ankles on the stability ball while holding a push-up position with the arms. Hold this position as long as you can without breaking form. Be sure that the glutes are not too high in the air – you want to aim for a straight line from the shoulders all the way down to the feet.
The second exercise is just the opposite of the last (shown below). You are going to start on your knees to position your arms correctly on the ball. Push up to balance on your feet and elbows. Be careful not to let the upper body collapse onto the ball – stay held on the shoulders. Again, you want an imaginary line running from the shoulders to the hips, all the way to the ankles.
Give these exercises a try as a warm-up before ballet class or as part of your cross training routine to become a stronger, well rounded dancer. I also have a program dedicated to core conditioning for dancers that you can check out HERE. Keep posted for more Ballet Strength exercises and tips!
If you attended a summer ballet intensive program this year, congratulations! It is such an honor and accomplishment to be accepted into a summer ballet school away from home. I remember all too well the 6 weeks of dancing bliss, meeting new friends, being away from my parents, and of course learning a ton from the wonderful ballet teachers that were on staff. Memories like these last a lifetime – I am even still in touch with some of the friends I made at summer intensives long ago.
The hardest thing for me was always adjusting back to home life after the end of a summer intensive program. I remember leaving for American Ballet Theatre, New York at age 15, living in an apartment by myself, and walking to the studios each morning by myself. It was a big responsibility but it made me feel so grown up. It was always hard for me to leave my family and friends back home, but once I got to the summer intensive, I never wanted to leave! Chances are, you are dealing with the exact same feelings right now after returning home from your summer intensive, and I want to share some pointers with you to help you adjust and get comfortable back at home.
Be Easy on your Parents – Your parents have missed you so much during the duration of the summer intensive. After all, their little one has been away for 6 weeks and they can’t wait to see you and spoil you when you get home. While their overly-affectionate attitude may be annoying, don’t fight it – embrace it. It is often hard to adjust back to the boundaries and rules that your parents have set at home. Sit down with them and explain your new found confidence rather than breaking the rules and getting in trouble. The key to dealing with your parents is working with them, not against them!
Keep in Touch – Do be sure to keep in touch with all of the new friends you met at your summer intensive. Social media like Facebook makes it super easy these days. Not only is it a great way to keep each other updated as to what is going on in your lives, it can also be a great connection for the future – Say if you’re looking for a roommate for next year’s summer intensive.
Respect your Ballet Teachers – You want to show off your new skills and technique, but don’t do it at the cost of making your ballet teacher angry. This is probably one of the hardest things to adjust to. For example: you go to a Balanchine summer intensive but return to a classical school. Your teacher back home definitely will not appreciate your new hands and over-crossed fifths 😉 Do your best to honor their corrections and chat with them after class. They will help you understand why they don’t like some of your new habits, but will also tell you which new habits they appreciate in a good way!
Adjusting back to home life can be tough after attending a summer ballet intensive program. Communicate with your loved ones, friends, and ballet teachers and you will be back on track in no time!
If you are dancing for long periods of time, it is important to replace the fluids lost from sweating. If you become dehydrated while dancing, especially in the heat, it can cause fatigue, dizziness, decrease in coordination, and even muscle cramping. Examples include forgetting combinations, the inability to physically complete long segments of choreography due to fatigue, and legs cramping in the middle of a piece. We’ll talk more about how you can hydrate yourself during the dancing day to prevent some of the awful consequences of dehydration.
Chances are, you’ve probably experienced one of the three symptoms I mentioned above. Dancers are sometimes at a disadvantage here, as teachers are not all educated about the importance of hydration in the classroom and do not allow water or sports drinks to be brought into the studio. You can work around this by making a conscious effort to drink water and/or a sports beverage throughout the day, at home or at school, and in the morning before ballet.
Adequate hydration is an essential part of your ballet nutrition. Water makes up almost 60% of our body weight. Water is the most important nutrient for your body. Its functions include lubricating joints, regulating body temperature, and transporting nutrients through the body. We lose water during the day through sweating, respiration, and through urinary and fecal output.
When you hear the word “hydration” you immediately think of water, but being hydrated sometimes means more than simply drinking more water. Dancers who spend more than 3 hours rehearsing per day can be at risk for dehydration and fluids need to be replenished in the form of electrolytes. Electrolytes are minerals that are essential to the human body.(examples: sodium, potassium, magnesium) Electrolyte beverages utilize these minerals to restore the body’s water levels.
When I was dancing with a ballet company that required 8 hours per day of class and rehearsals, I sipped on an electrolyte beverage all day long. Many of my friends didn’t even drink as much as water during the long rehearsal days and let me just tell you – it is part of the reason why their performance in class and rehearsals suffered day to day.
Choose your “sports drink” wisely – although some may taste like kool-aid this is likely due to the fact that they contain too much sugar. My favorite brands of electrolyte hydrators such as the brand Vega, are found at natural health food stores.
I hope this blog will help you understand hydration and how it effects your ballet performance and recovery. For more information please be sure to subscribe to this blog and join us on Facebook or check out my eBook, Ballet Nutrition. Happy Dancing!
As the end of June approaches many of you will head off to your very first summer ballet intensive program. With your suitcases packed have you left anything behind? You have surely packed enough leotards and pointe shoes to get you through the 3-6 weeks that you will be away from home. Have you forgotten the most important thing you will need for your summer intensive?
The most common thing that dancers forget to do before leaving for a ballet summer intensive program is set goals. Why are you doing this summer intensive program? To improve, right? But what exact areas of your dancing are you looking to improve? Let’s face it, without setting goals what exactly will you get out of your summer intensive experience?
Before you leave home (or even if you are in your first few weeks of the intensive) write down the following questions in your ballet journal.
What do I feel that I most need to improve on this summer? This could be anything from pirouettes to technique.
What have my teachers been encouraging me to improve on? This would be the corrections that you get in class or at the school year-end conference.
What do I need to do to make these corrections over the summer? Listen to the teachers, focus, etc
Why did I choose this summer intensive? List the key reasons that you decided to go to this particular summer program. Anything from teaching staff to city.
What do I most want to accomplish this summer at(fill in your summer intensive name)? What is your ultimate goal in attending this particular summer program? Do you perhaps want to be asked to stay for this school’s year-round program?
By answering these questions and looking them over every few days, you will stay on track at your summer program. I know it sounds kind of dorky but if you really want to become the best dancer you have to set goals and remind yourself of those goals consistently. Have fun and make friends but remember, you are there to dance!
A beautifully pointed foot is the finishing touch to any dancers physique. Sure, not everyone can attain the extreme arches of Beckanne Sisk, but with the right exercises, you can achieve the best foot for your body. With all of the complicated foot stretchers and contraptions these days, it is hard to know what to trust or what really works. The good news is that you don’t have to spend a ton of money on a fad product to get beautiful ballet arches – there are simple exercises that you can do at home to get those fab feet!
Exercise 1 – Flex and Pointe – This sounds simple, but I want you to try this exercise (video below) while lying on your back. This exercise will not only strengthen the arches of your feet, but also the muscles in the ankles and the calves. I recommend starting with 10 repetitions of each part, there are 4 parts to this exercise.
Exercise 2 – Towel Scrunch – This is a secret go-to exercise for dancers who are injury prone in the ankles and metatarsals. I recommend doing this at least three times per week for 15 minutes at a time. Video can be found here –> http://balletstrength.com/Ballet_Strength/intrinsic.html
Exercise 3 – Thera-band – While you may not have a thera-band lying around the house, they are not hard to find. You can get off brand versions at Walmart and sporting goods stores now. Give these basic exercises a go before class or as a cool down in the evening.
Give these three exercises a try and you will be well on your way to having your best feet and arches! As always, please feel free to contact me if you have any questions regarding these exercises. I have also designed a 6 week Perfect Pointe Program to take the guess work out of foot and ankle training for you. Available exclusively at Ballet Strength –> http://balletstrength.com/Ballet_Strength/powerpointe.html
So you want to improve your extension – your developes front, side and back – who doesnt!? In this blog I am going to go over the exercises that you should be doing to help your develope height tremendously.
Extension and flexibility are two words that are pretty much synonymous in the ballet world but each has it’s own place in your ballet technique. The two compliment each other, however flexibility is not the sole reason that you cannot get your leg up…and hold it there. Strength (yes, there’s that word again) is usually the limiting factor.
As dancers our hips take a real beating. From doing daily ballerina things like standing turned out, gripping in the thighs and quite frankly, not knowing how to properly engage our core muscles, we are already at a disadvantage. Gripping in the hips is the #1 reason why I see dancers struggle with their extension (also in turns and jumps too). So how can you undo years of damage and unlock your potential to a freely moving hip?
#1 Breathe – Sounds simple, right? Wrong. Chances are, you don’t even realize that you are holding your breath. When we tense our muscles we are usually holding our breath at the same time creating even more tension to the muscles. Instead, try visualizing your hip as a sponge. Take your leg up to passe (think of a sponge full of water). Right before you develope the leg think of the hip relaxing and breathe. Then as you extend the leg, think of the sponge “wringing out” as you develope. Practice this and eventually you will be able to visualize this way in class.
#2 Strengthen & Release – Strengthening various muscles such as the glutes, inner thighs, and core can help release a lot of unnecessary tension from the hips, resulting in better extensions. Try the following exercises taken right from my YouTube Channel:
#3 Rebuild – Rather than showing you a bunch of ballet stretches and exercises that you already know and have tried (like the hike your hip up and hold exercise) I am going to give you an exercise that you can do to strengthen the gluteus medius muscle. First I will show you where the glute medius is located followed two exercises. “Monster Walks” and “Hip Abduction” which can help retrain the muscles around the hip pain and tightness that you feel from gripping.
Monster Walks – Perform 3 sets of 15 repetitions each leg with a resistance band.
Hip Abduction – Perform 3 sets of 15-20 repetitions being sure to keep the leg parallel.
I am looking forward to hearing how your extension improves just from these 3 quick tips. As always, please feel free to contact me with your questions and don’t forget to check out my great products that you can find exclusively at www.balletstrength.com.
Today’s video is to help you improve your penché for ballet. The penché is one of the exercises in ballet class that dancers struggle with – it requires balance, proper alignment, flexibility, and a strong standing leg. In fact, directors often give penché in auditions to see who can handle it and who topples over.
So what can you do to improve your penché? This video demonstrates a Ballet Strength exercise that addresses all of the key factors that go into executing the perfect penché such as balance, flexibility, strength, and alignment. Give it a try!