Joffrey Ballet in San Diego: Review
It is not too often that world renowned ballet companies make their way to San Diego so I jumped on the opportunity to see the Joffrey Ballet perform at the San Diego Copley Symphony Hall on Tuesday, January 29, 2013. I was pleased to see that the repertoire would be all contemporary ballet pieces in which they performed three- Stanton Welch’s Son of Chamber Symphony, Christopher Wheeldon’s After the Rain, and William Forsythe’s In the Middle, Somewhat Elevated.
The program began abruptly with Son of Chamber Symphony choreographed by Stanton Welch, as both the music and the dancing started as the curtain was rising, on the first count of the music, written by John Adams. Four male dancers were surrounding one female dancer, Anastacia Holden, wearing an edgy, modern version of a tutu. Holden performed the choreography with precision and attack. Her sense of balance is something that most dancers would envy along with her petite yet athletic build. The true standout though came in the second movement with a pas de deux performed by April Daly and Dylan Gutierrez. Ms. Daly truly has it all feet, legs, flexibility, turns, and the ability to emote all wrapped into one long and lean package. I could have watched her dance for hours…if only this ballet was longer! Son of Chamber Symphony was my favorite piece of the evening. I could definitely see the Balanchine influence in the choreography which made me want to dance it, of course. (gotta love the “chugs” and the “hip thrusts” in the third movement)
The second piece was Christopher Wheeldon’s After the Rain. After hearing so much about this ballet since it was choreographed in 2005, I had very high expectations. The dancers definitely delivered the feeling that is expected from this short piece. The audience moved and breathed with the female dancer either Christine Roccas or Yumelia Garcia (not clear in the program) as she effortlessly enchanted them all with real raw emotion during her pas de deux to the famously haunting music Spiegel im Spiegel in the second movement.
The third piece, In the Middle, Somewhat Elevated reminded me of the type of ballets the Joffrey is known for. As a kid, I remember Billboards and this ballet, particularly the costumes, gave me that early 90’s kind of feeling. The choreography looked fun and the dancers executed it well, however the music was in my opinion revolting. The standout of In the Middle, Somewhat Elevated was Christine Roccas who fluidly moved through the piece, executing multiple turns with ease. The dancers were really able to show off their technical “tricks” and abilities in this piece whether it be flexibility or turns. The men were landing five and six pirouettes like nothing and my jaw definitely dropped a few times in regards to a particular female dancer’s a la seconde turns. While I enjoyed watching the technicality of this piece, I did feel that the costumes were a bit dated. Not to mention that with the black tights, you could not see the dancer’s legs at times.
Overall I thoroughly enjoyed my evening seeing the Joffrey Ballet perform these three pieces. This performance proved why Joffrey Ballet is and always was one of the top ballet companies in the country. I look forward to seeing how these talented dancers progress!
*Please note that none of the photos shown on this page are mine, nor am I claiming them to be my intellectual property.
Posted on January 31, 2013, in Ballet, Ballet News, Dance, Dance Reviews and tagged after the rain, april daly, ballet, ballet review, christine roccas, christopher wheeldon, contemporary ballet, dance, dance review, in the middle, joffrey, joffrey ballet, joffrey ballet review, joffrey ballet tour, joffrey san diego, somewhat elevated, son of chamber symphony, stanton welch, william forsythe, yumelia garcia. Bookmark the permalink. 1 Comment.